Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Francis Towne
Ariccia (mk47)

ID: 26065

Francis Towne Ariccia (mk47)
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Francis Towne Ariccia (mk47)


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Francis Towne

English Painter, 1739-1816 was an English water-colour painter. He was born in Isleworth, Middlesex, the son of a corn chandler. Apprenticed to a coach painter in London, he won a design prize from the Society of Arts, and studied for a while at St Martin??s Lane Academy. In 1763 he was employed by a coach painter called Thomas Watson, and went to Exeter on business. He had already begun painting in oils and also taught drawing, and now he began to accept commissions from wealthy families in Devon. After a tour of north Wales in 1777, undertaken with his friend, the lawyer John White, he began to specialize in water-colours. In 1780 he travelled to Rome and from there to Naples. On his return to Devon, he was asked by Sir Thomas and Lady Acland of Killerton to paint some views in Devon and North Wales, and in 1786 he went on a painting tour of the Lake District  Related Paintings of Francis Towne :. | Thronende Madonna mit den Heiligen Donysius Areopgita,Domenicus,Papst Clemens und Thomas von Aquin | Loneliness | Portrait of Vasily Daragan | Landscape with Dunes (nn040 | Young Spartans Exercising |
Related Artists:
granados
Period: Post-Romantic (1870-1909) Country: Spain Born: July 27, 1867 in L??rida, Spain Died: March 24, 1916 in At sea (in the English Channel) Genres: Chamber Music, Keyboard Music, Miscellaneous Music, Opera, Vocal Music
Jean-Laurent Mosnier
French portrait Painter , b. ca. 1743, Paris, d. 1808, St. Petersburg
ROMANELLI, Giovanni Francesco
Italian painter, Roman school (b. 1610, Viterbo, d.1662, Viterbo). Italian painter and draughtsman. He was the pupil first of Domenichino, then of Pietro da Cortona; his work also shows the influence of Bernini (in some of whose projects he became involved) and of Poussin. His calm and graceful synthesis of these extremes of austere Baroque classicism and High Baroque ebullience was prophetic of the effects of the Roman Late Baroque and of the generalized style of public painting that spread throughout Europe in the late 17th century and the early 18th.






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